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SEX IN AN EPIDEMIC
gender redesign
She's a boy I knew
Cruel and Unusual
Rock Bottom
THE FILMS OF SU FRIEDRICH
Pills Profits Protest
Tying the Knot
Women In Love
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the hot spot
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Meet Anne-
christine d'Adesky, award winning journalist, AIDS activist and
producer/director of the film PILLS PROFITS PROTEST...
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Meet Phyllis
Christopher, the amazing photographer who is featured
in the film WOMEN IN LOVE...
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New Releases
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SEX IN AN EPIDEMIC is a pioneering documentary about the history of “safer sex” in the United States. Few concepts have had as great an impact on sexuality over the past decade as that of “safer sex.” Yet, as a concept, it is important to remember two things: first, safer sex had to be invented amidst a terrifying lack of information that existed before the discovery of HIV. Secondly, safer sex as a concept had to be sold by the persistent and creative persuasion of community based groups all across the country. This ground-breaking film places the history of safer sex education on a trajectory with current HIV prevention while exploring the personal, political and structural challenges that have continually hampered the best efforts of HIV educators and community groups to curb HIV infection rates in the United States. |
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Signs that everything wasn’t quite right came early and often for fAe. Though he was “born with girl parts,” a trip to the girls’ room on the first day of school was met with terrified screams. At age three, industrious little fAe dreamt of devising a synthetic penis, which he hoped would let him pee like a boy. Early on, fAe found some comfort in a lesbian identity but knew this was not his true self. Years of introspection led to the undeniable conclusion that fAe was a man mistakenly endowed with a woman’s body. His caring —but somewhat careless — brother notes that these biological errors simply occur sometimes, likening fAe’s condition to that of a boy from a recent magazine article he read—a boy born with fins for feet. |
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Witty,
brave, and vulnerable, Haworth gave us the most affecting and
memorable documentary of the year."
- Vancouver
Magazine
"Haworth creates an emotional
space that engulfs the viewer in a way that's extremely rare
in any film, whether fiction or non-fiction."
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Kevin Griffin, The Vancouver Sun
Finding self-empowerment through self-representation, SHE’S
A BOY I KNEW is a comic, heartbreaking, and uplifting
autobiography that focuses on the interpersonal relationships
of a family who unexpectedly find their bonds strengthening
as they overcome their preconceptions of gender and sexuality. |
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this film | more > |

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Most states
separate prisoners by genitalia alone, so pre-op, transgender
women are placed in men’s correctional facilities, where
they find themselves vulnerable and preyed upon. CRUEL
AND UNUSUAL is a frank, often unsettling documentary,
that portrays the challenges faced by these women. |
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this film | more > |

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ROCK
BOTTOM follows the journeys of seven gay men struggling
with an addiction to crystal meth, and their recovery efforts
against a threatening backdrop of HIV infection. From grappling
with the drug’s effects on their physical and mental health
to wrestling with their darkest sexual desires and sensitive
identity issues, ROCK
BOTTOM delivers a chilling portrait of a community
in crisis. |
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this film | more > |

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Since the
1970's, Friedrich' skillful mix of experimental narrative and
documentary forms, filled with provocative feminist and lesbian
themes, has made her a groundbreaking member of the avant-garde
film community and a pivotal force in the establishment of Queer
Cinema. This collection of DVDs includes the filmmaker's classic
works such as SINK OR SWIM,
HIDE AND SEEK, THE
TIES THAT BIND, DAMNED IF
YOU DON'T, and THE ODDS
OF RECOVERY, as well as EIGHT
BONUS FILMS. |
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this film | more > |
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PILLS
PROFITS PROTEST: CHRONICLE OF THE GLOBAL AIDS MOVEMENT is
an up-to-the minute documentary about AIDS treatment activism.
It examines the national and international grass roots response
to an epidemic that has already overshadowed the Black Death
in terms of human lives lost. The demand for access to affordable
treatment for 40 million people living with HIV, most of whom
live in poor countries, represents one of the most successful
political movements of contemporary history. |
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this film | more > |
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© 2005-2008 Outcast Films |